Sculpture

Fragmentary fiction and cryptic objects

Polystyrene and post-minimalism; industrial processes and the ‘skin’ of amorphous forms

How a monumental ruin is turned into gravel, in the Brazilian artist’s show ‘Dois Reais’ (Two Reals, 2012)

Ten contemporary sculptors are asked about the ways in which they feel meaning is controlled and conveyed in their work

Dan Graham discusses sci-fi, dance, model-making and the ‘just-past’ with Turkish artist Can Altay

Alessio delli Castelli considers Italian sculptor Medardo Rosso’s photographic legacy

Symmetry, distance and intimacy; poetry, concrete and grass

Luxury consumption and low-cost production; labour, exchange, weight and money

A digital approach to sculpture and installation; physical comedy and the very recent past

Artist Anthony Pearson talks to Barbara Kasten about theatricality, her photographic approach and ‘thinking like a painter’

The sculptures and installations of Anthea Hamilton stage the complexities of interpretation and desire

Santa Monica Museum of Art

Nils Staerk

Dealing with the lapses between narrative content and medium, Rosa Barba’s film and sculptural work is a meditation on memory and vision

The Renaissance Society

As influenced by haute couture as he is by experimental filmmakers, Vincent Fecteau discusses his new sculptures with Bruce Hainley

Working through abjection and attraction, the sculptures of the late Alina Szapocznikow engender the politics of emotion

Norwegian artist and novelist Matias Faldbakken responds to socio-political sore points with ambivalence and provocation

Various venues, Biel, Switzerland

The popularity of enormous sculptures created by Chinese artists has little to do with a rigorous engagement with ideas or materials