At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
Wes Hill is a writer living in Sydney, Australia. His book Art after the Hipster: Identity Politics, Ethics and Aesthetics (2017) is published by Palgrave Macmillan.
‘Namatjira’s political leaders all look frozen, dull behind the eyes, whiter than white, and as if battling an internal war with their fakery and greed’