Giosetta Fioroni: La Spia Ottica (1968/2017)

The curator talks about her approach to the 59th International Art Exhibition and restoring energy to the Venice Biennale

In a cavernous Central Pavilion, ‘The Milk of Dreams’ reminds us that feminist triumphs and struggles stretch beyond time and geography 

The Director & Chief Curator of High Line Art and Artistic Director of the 59th Venice Biennale shares her top five picks from Frieze Viewing Room 

Flavia Frigeri discusses a very Roman take on modernism

From Anthropocenic doom in Cecilia Alemani’s Italian Pavilion in Venice to Alvin Lucier’s I Am Sitting in a Room at d14

Flavin Judd talks about protecting his father’s legacy, and how the Judd’s furniture - presented at Frieze New York - got made

Mary Ceruti explains why sculpture might matter more than ever, and the artworks they’re bringing exlucsively to Frieze New York

Matthew Higgs discusses White Columns, and what participation in Frieze New York means to the much-loved institution

To preview “Pacific Standard Time: LA/LA”, Frieze presented a symposium in collaboration with the Getty and the Institute of Fine Arts, NYU

Art historian and curator Robert Storr talks about Frank Stella, one of many of the city's most significant 20th-century artists represented at Frieze New York 2017