Exhibition Reviews

From Tetsuya Ishida’s disaffected oil paintings at Gagosian, New York, to Ato Ribeiro’s wooden weavings at Museum of Contemporary Art of Georgia, Atlanta

At Green Art Gallery, Dubai, a group exhibition underscores the significance of textile art and its ability to weave together a narrative of meaning

Multi-media sculptures and a video work installed at the Leeum Museum of Art, Seoul, create a playfully immersive environment

At its best, the artist’s London survey is a ferocious display of courage, while at its worst, it feels like a tribute act

At Regen Projects, Los Angeles, the artist’s multi-media works explore the similarities between entertainment and state oppression

At WIELS in Brussels, the artists present a multimedia dystopia of disenchanted desires and endless searching

At Soft Opening, London, Hendrickje Schimmel challenges linear constructs of creation and usage by manipulating end-of-life materials

At Gagosian, New York, paintings that blend surrealism and social realism depict the disaffection of modern workers

At Layr, Vienna, a group exhibition reminds viewers of the culture-crossing and nonconformist possibilities of artworks

At W-galería, the artist collaborates with Guaraní weavers in a decolonial project of self-representation 

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

​At Sprüth Magers, the artist visually renders our hackneyed vocabularies around anxiety and care

At Sargent’s Daughters, New York, empathetic oil paintings suggest healing through revisitation

Portland’s arts biennial, Converge 45, adopts an idealist vision of what it means to be a citizen of the world

Ireland’s biennial of contemporary art delicately weaves weighty issues into Limerick’s surroundings

At Rinde am Rhein, Düsseldorf, the artist’s new series riff on conceptualism but reflect the alienation of our times

From Anri Sala’s marbled explorations of divine time at Galerie Chantal Crousel, Paris to the first show dedicated to Wanda Czełkowska outside of Poland

While ‘Choreographies of the Impossible’ stumbles curatorially, this edition nevertheless feels vital and exciting

At P21, Seoul, a group show of intimate mixed media works draws on Byung-Chul Han’s revolutionary The Agony of Eros (2017)

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production