BY frieze in Critic's Guides | 24 JUN 20

These Films by Black Filmmakers are Free to Stream

From a kaleidoscopic portrait of Alabama to a documentary about police violence in the UK, frieze contributors select four must-watch films 

BY frieze in Critic's Guides | 24 JUN 20

Kathleen Collins, Losing Ground, 1982, film still. Courtesy: Milestone Films and The Criterion Channel

Kathleen Collins, Losing Ground (1982) 

In life, Kathleen Collins’s best-known achievement was the 1982 film, Losing Ground, one of the first feature-length movies by an African-American female filmmaker. The story follows the complex marriage of Sara (Seret Scott), a seemingly frigid professor, and Victor (filmmaker Bill Gunn), an irreverent painter. Victor finds ecstasy through his art and Sara finds hers through abstractions, such as scholarship and conceptual thinking. During a summer vacation, their marital tension comes to a head when Victor falls for one of his muses and Sara for an out-of-work actor with whom she co-stars in an independent, student-led film. The story is ordinary yet luxuriant, as if time were of no consequence. There are ample shots of black and latinx people dancing, black people dining, black people conversing, black people being.

– Morgan Jenkins

Julie Dash, Daughters of the Dust, 1991, film still. Courtesy: the artist and The Criterion Channel 

Julie Dash, Daughters of the Dust (1991) 

Made using a budget of only $800,000, Julie Dash's Daughters of the Dust (1991) – the first feature length film to be made by a Black American woman and distributed widely in the US – is free to watch on Criterion Channel. It's a lush, mesmerising, almost painterly film, which features cinematography by the film's producer Arthur Jafa.

– Andrew Durbin

RaMell Ross, Hale County This Morning, This Evening, 2019, film still. Courtesy: the artist and Cinema Guild

RaMell Ross, Hale County This Morning, This Evening (2018) [Free to watch in the US] 

US photographer RaMell Ross’s debut film Hale County This Morning, This Evening (2018), makes of its titular Alabama county a kaleidoscopic subject. This is the same town Dr. Martin Luther King, Jr. hid following an assassination attempt by the KKK, only two weeks before he was killed on 4 April 1968. It is a town so embedded in the racist history of the southern United States, with its legacy of chattel slavery, indentured servitude and Jim Crow, that it would seem nearly impossible to fully bring to life the vast sweep of both the present and the past in moving images.

– Jacolby Satterwhite

Milton Bryan, The People’s Account, 1985, film still. Courtesy: Ceddo Film & Video and Channel Four

Milton Bryan, The People’s Account (1985) 

The People’s Account (1985) is a documentary rich with oral histories and first-person accounts of the Broadwater Farm uprising, which took place on a housing estate in Tottenham, north London. Still rarely seen, the film opens with a narrator grounding you with a simple but impactful truth: ‘Three major uprisings rocked London and Birmingham in late 1985. Each was sparked by an act of police lawlessness against a Black woman.’

– Rianna Jade Parker

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