Esther Buss

Esther Buss works as a freelance film and art critic in Berlin.

On Maren Ade’s Toni Erdmann, the critics’ favourite at this year's Cannes Film Festival

BY Esther Buss | 13 JUL 16

On the films of Daniel Hoesl and the European Film Conspiracy

BY Esther Buss | 02 JUN 16

Philip Scheffner’s film Havarie is a self-aware representation of the way Europe is dealing with the refugee crisis

BY Esther Buss | 19 FEB 16

Experimental film, now in 3D

BY Esther Buss | 04 JUN 15

Casting light on the hidden narratives of power: the films of Jan Peter Hammer

BY Esther Buss | 16 JAN 15

Über No Home Movie, den letzten Film von Chantal Akerman, auf der Viennale 2015

BY Esther Buss | 08 NOV 14

Zu den Filmen von Philip Scheffner

BY Esther Buss | 08 JUL 14

Sex work in the service age: Tatjana Turanskyj’s new film Top Girl

BY Esther Buss | 20 APR 14

Les Salauds von Claire Denis Einer der finstersten Filme des Jahres. 

BY Esther Buss | 17 DEC 13

Ramon Zürcher’s choreography of motion and stasis in Das merkwürdige Kätzchen

BY Esther Buss | 02 NOV 13

Tracing the vexed routes of global fashion exchange

BY Esther Buss | 06 MAR 13