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Contributor
Saim Demircan

Saim Demircan is a curator and writer. He lives in Turin, Italy. He recently curated ‘Exhibition as Image’ at 80WSE, New York, USA.

At Martina Simeti, Milan, the artist’s free-form paintings speak to the musical and artistic traditions of Black communities

BY Saim Demircan |

Saim Demircan explores three decades of life and loss in Kharkiv through the work of the Ukrainian photographer

BY Saim Demircan |

At Pinacoteca Agnelli, Turin, the artist’s works playfully subvert the art historical canon

BY Saim Demircan |

From Costanza Candeloro at Martina Simeti to Anicka Yi at Pirelli HangarBicocca, Saim Demircan gathers his top picks from Milan

BY Saim Demircan |

The artist speaks to Saim Demircan about the storied exhibition space, the Orchard gallery, and his innovative films documenting its three-year run

BY Saim Demircan AND Jeff Preiss |

At Galleria Franco Noero, Turin, the artist's current series is exposed to the elements and requires avian participation

BY Saim Demircan |

At Participant Inc, the artist presents photographic and video works that reflect on our increased reliance on digital space 

BY Saim Demircan |

At Andrew Edlin Gallery, New York, the late artist’s drawings and sculptures celebrate the spirit and history of southern Black communities

BY Saim Demircan |

At Galerie Max Mayer, a series of LED ‘paintings’ reflects on the value of performative practices

BY Saim Demircan |

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

BY Saim Demircan |

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

BY Saim Demircan |

An exhibition at Galerie Barbara Weiss, Berlin, transports Sebastián Lelio’s award-winning film Una mujer fantástica into the gallery space

BY Saim Demircan |

Spectral lone female figures pose and recline in a series of nebulous paintings on view at Galerie Rüdiger Schöttle, Munich

BY Saim Demircan |

Wolfgang Tillmans has launched a pro-EU poster campaign. Should more UK cultural institutions be speaking out?

BY Saim Demircan |

The printed page as exhibition space

BY Saim Demircan |

Could this viscerality, this hysteria, be political?

BY Saim Demircan |

The consumption of ecosystems and drug-altered states

BY Saim Demircan |

What was it that made the documentation of collective artist activities from the early 1990s so different, so appealing? An interview with Stephan Dillemuth about Cologne art space Friesenwall 120 and the role of video in exhibition documentation

BY Saim Demircan |