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‘I was 13, with a group of friends, and it was my first time hearing anything so Black and British – and, also, so working class’

BY Kadish Morris | 21 FEB 19

‘I felt as though I’d walked in on what the future of art-making could be: a curation of time and space between us and the world in which we exist’

BY Rirkrit Tiravanija | 19 FEB 19

‘Enthusiasm leaks out from the possibility of how these things might all be together’

BY Adam Chodzko | 07 FEB 19

‘Your songs are always full of colour and samples, beats and melodies, dizzying rhythms and more melodies still’

BY Sukhdev Sandhu | 06 FEB 19

‘A convenient metaphor for emptiness and desolation, the desert is the paradigmatic nowhere’

BY Venus Lau | 06 FEB 19

‘Hong allows revelations to emerge from the most unassuming descriptions of facts’

BY Carol Yinghua Lu | 06 FEB 19

‘With Brexit hanging like a lead weight above the city’s new forest of glass towers, the memory of the Horse Hospital’s stone floor feels grounding’

BY Stuart Comer | 05 FEB 19

‘He created rhythmic patterns that sounded, in your mind or on his voice, both adamantine and feline at once’

BY Cal Revely-Calder | 05 FEB 19

‘I took his reviews in the Independent to be the baseline; what all art criticism looked like’

BY Tim Smith-Laing | 05 FEB 19

‘Majerus was driven by mass – calm and heavy like a smooth car – six cylinder bicycle with no flat tyre’

BY Thomas Bayrle | 05 FEB 19

‘In this false universe of positive gloss and shallow passions, where can a real enthusiasm be located?’

BY Darian Leader | 04 FEB 19

‘The salient factor wasn’t ever its printedness; Dot Dot Dot just took its own form seriously to think about things we see and how’

BY Pablo Larios | 30 JAN 19

‘In our current catastrophic political climate, we need Fisher more than ever before’

BY Geeta Dayal | 30 JAN 19

Who’s Afraid of Barney Newman (1968) invokes a multiplicity of diasporic readings’

BY Rianna Jade Parker | 29 JAN 19

‘Appointed by Barack Obama in 2009, Sotomayor is the fourth woman and the first Latina to serve on the nation’s highest court’

BY Evan Moffitt | 28 JAN 19

‘Through its transformations and multiple languages, the poem becomes a dark mirror that reflects the missing truth’

BY Cecilia Vicuña | 28 JAN 19

‘His work resembles a world from which the humans have departed; all that remains are the mute plastic things, marked with purposeless love’

BY Wayne Koestenbaum | 28 JAN 19

‘The possibility of arriving at insights, even unsettling ones, makes the pursuit of art worthwhile and necessary’

BY June Yap | 28 JAN 19

‘Take the heat and the breadth and the air and the life and the longing and land it in your own back garden’

BY Lynette Yiadom-Boakye | 28 JAN 19

‘Even a piece of paper had a trajectory and a life: to be written upon; to be used as a tablecloth or to clean the table; to be burned for heat and to become ashes’

BY Madeleine Thien | 28 JAN 19