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‘When I think about Kutcher and Moore, what comes to my mind is a vision of pure, halcyon happiness’

BY Naomi Fry | 28 JAN 19

‘This ethereal portrait also miniaturizes Mofokeng’s quest for affinity and understanding in a world dogged by shadow’

BY Sean O'Toole | 28 JAN 19

‘Since Lucano was elected mayor in 2004, the town of Riace, located in one of the most impoverished regions of Italy, has welcomed thousands of refugees’

BY Alfredo Jaar | 28 JAN 19

‘It’s a sinewy and organic thing, almost threatening, in an otherwise boring district of embassies and hotels’

BY Sam Thorne | 28 JAN 19

‘Over the radio, he asked listeners a simple question: what is your favourite sound of Beijing?’

BY Colin Siyuan Chinnery | 25 JAN 19

‘I have secretly kept two copies of this series for years’

BY Céline Condorelli | 25 JAN 19

‘It was exactly the right thing at exactly the right time’

BY Jonathan Griffin | 25 JAN 19

‘The sheer farce of it. Wonderful. That was what made so much sense and felt so good’

BY Max Porter | 25 JAN 19

‘His work opened a pathway to design for me that no architectural school or practice could’

BY Mae-Ling Jovenes Lokko | 25 JAN 19

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri | 24 JAN 19

‘I found it at my local used bookstore more than a month before its release date, only days after 9/11’

BY Aaron Peck | 24 JAN 19

‘The show singlehandedly thrust Africa back into the culture of global contemporary art.’

BY Kobena Mercer | 24 JAN 19

‘I know no more perfect portrait of artist and muse’

BY Negar Azimi | 24 JAN 19

‘No other installation has come close to the swooning sensation of seeing Bourgeois’s work for the first time’

BY Shahidha Bari | 24 JAN 19

‘After Kurzweil’s book landed with a thud in the centre of our culture, it was impossible not to address its claims’

BY Chris Wiley | 16 JAN 19

‘If criticality indicates a desire for change, then surely the critic is actually an optimist’

BY Jörg Heiser | 11 JAN 19