Cinema

Showing results 41-60 of 68

During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practice 

BY John Akomfrah AND The Otolith Group |

The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic

 

BY John Menick |

Primer (2004) asks what happens when history is always hanging in the balance

BY Lucy Ives |

Amidst cycles of protest, Zoé Samudzi considers Mati Diop’s film in which young men ‘return’ to the shores of Dakar from their fatal attempt to emigrate overseas

BY Zoé Samudzi |

Coel's show ‘I May Destroy You’ daringly takes on the intricacies of sexual violence

BY Skye Arundhati Thomas |

‘First Cow’, the director’s seventh feature film, which began streaming 10 July, offers a humanistic alternative to the grand myths of Manifest Destiny

BY Tausif Noor |

Mark Cousins’s ‘Women Make Film’ celebrates 130 years of cinema by 183 female directors 

BY Jennifer Higgie |

In the director’s sweeping new Vietnam War film, it is never clear ‘who is the colonizer and who is the colonized’ 

BY Ian Bourland |

The weightlessness of the iconic film helps alleviate the oppressive pull of reality

BY Chloe Aridjis |

Next year will be crushingly difficult for all aspects of cinema. Some theatres have a plan

BY Chris Sharratt |

From his parodies of celebrity culture to his depiction of gender identities, there is still a lot to unpack on the centenary of the film director’s birth

BY Jamie Mackay |

The Comedy Central series injects a dose of mania and sloth into the ‘multicultural sitcom’

BY Ken Chen |

In the beloved Japanese anime films, childhood is a fantastic place of nightmare and wonder

BY Darran Anderson |

A crop of Hollywood ‘grifter’ films reflect growing pessimism about the state of capitalism 

BY Lewis Gordon |

From The Walking Dead to Stranger Things, frightening revivals ‘captured a bit of lost magic in a disenchanted world’ 

BY Ian Bourland |

From Gen-Z Yellow to Neomint, the confluence of money and the attention economy filled the 2010s with clashes of unexpected hues

BY Kassia St Clair |

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

BY Evan Moffitt |

The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda

BY Ian Bourland |

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

BY Tom Morton |

New award offers support and platform to 10 artists, whose works will be screened at Frieze Los Angeles 2020

In Collaboration with Deutsche Bank