Germany

At the Museum für Moderne Kunst, Frankfurt, the artist questions our unwavering faith in efficiency and development

At Galerie Thomas Schulte, Berlin, the artist’s small-scale canvases depict refreshingly palpable scenes of queer desire

At Fridericianum, Kassel, the artist evokes racial power dynamics through objects and watercolours that hint at violence and containment  

In a new show at Marta Herford, the photographers traverse archives and foreign lands to question what it really means to look

In his new solo show at Jan Kaps, Cologne, the artist’s eerie portraits interrogate capitalist consumption in the digital age

From the all-women programme at The National Museum of Contemporary Art Athens to Marianna Simnett’s UEFA-inspired film

The renowned composer created a rousing piece of music with changing dynamics by manipulating the speed of sound

At Kunstverein in Hamburg, the artist uses the format of the contract for a series of sculptural provocations

At the Badischer Kunstverein, the artist explores the transformative potential of seemingly unassuming actions

At Galerie Molitor, Berlin, a posthumous exhibition dedicated to the artist shows a selection of her cut-out canvases from the 1970s

At Museum Ludwig, the second iteration of the late artist's first comprehensive European retrospective unpacks his experimental approach to material, time and space

At Kunsthalle Mainz, the artist contrasts presence and absence to question the truth of captured events

At Dortmunder Kunstverein the artist critically reflects on the institutionalisation of racism in Germany

At Bonner Kunstverein, the late Filipino artist’s first European retrospective is a poetic tribute to an oeuvre that refuses to be categorized

At Jan Kaps, Cologne, the artist highlights the economic precarity of sex workers and the movements encouraging positive change

From the reconstructed City Palace to the Reichsflagge, the symbols and ideologies of colonialism are as alive as ever

Remembering a meeting of two worlds in November 1989

Part carbon-neutral generator, part contemporary art centre, E-Werk Luckenwalde provides clean energy and affordable studio space

Associated with Adolf Hitler’s rise to power, Potsdam’s Garrison Church is a ‘symbol of unity between the church, state and military’

What does Jean-Léon Gérôme’s 1866 painting ‘Slave Market’ say about today’s extremist politics?