Hauser & Wirth

The panelists discuss Sherald’s practice and the relevance of her work within the canon of historical portraiture. Presented in partnership with Hauser & Wirth

From Camille Henrot’s gossipy solo exhibition at Munch Museum, Oslo, to a group show dedicated to used objects at Thomas Dane, Naples

Following a recent collaboration with Printed Matter and Darling Green, the director of Hauser & Wirth Publishers speaks with Vanessa Peterson about the importance of artists' publishing 

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

From a sweeping Robert Colescott survey at the New Museum to an exhibition of drawings by Luchita Hurtado at Hauser & Wirth Southampton, these are the must-see shows in New York after the Armory Show

‘ALL VERBS’ at Hauser & Wirth highlights more nuanced forms of action in the artist’s oeuvre

At Hauser & Wirth, New York, a survey of the late artist’s paintings presents a body of work that goes beyond her biography as a woman who survived the Holocaust

From Mark Bradford's inauguration of Hauser & Wirth’s Menorca outpost to the first major retrospective dedicated to Pia Arke in Denmark, here are a selection of European shows not to miss this September

Rianna Jade Parker on a new work from the artist’s first UK solo show

From Somerset to Menorca, H&W’s ‘art centre’ model has redefined what a commercial gallery can be. Can our public institutions compete?

The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived

Achille, brother of Fabio Mauri, traces the cultural scenes of post-war Rome and Milan

The artist’s tent city at Hauser & Wirth, in rapidly gentrifying downtown LA, is a ‘parody of pious politically activist art’ 

The Black female gaze shines resiliently through the stormy surfaces of the artist’s paintings on view at Hauser & Wirth

Ahead of Zurich Art Weekend, the pick of the shows to see in the city

‘The sheer farce of it. Wonderful. That was what made so much sense and felt so good’

With a Louise Bourgeois show running at Hauser & Wirth St. Moritz, fashion designer Simone Rocha reflects on being inspired by the French-American artist

With three concurrent shows opening in Hong Kong, London and Zurich, the Beijing-based painter talks about his dichotomous practice, taking in Eastern and Western influences and moving from portraiture to abstraction and back again

The Japanese artist talks about how he came to join the Gutai Art Association in 1963, moved to Paris in 1966 and how vinyl adhesive glue and graphite have sustained a practice ‘streaming into infinity’