issue 235

Showing results 21-33 of 33

At Matèria, Rome, the artist’s beeswax sculpture of a key figure in Buddhism reflects a significant moment in Mongolian history

BY Ana Vukadin |

The Glasgow-based polymath’s solo show at Chapter, Cardiff, is rigorously informed by ancient and mediaeval religions and spiritual movements

BY Dylan Huw |

At TRAMPS, New York, the stalwart of the Lower East Side art and music scenes transmutes a painful personal archive into new assemblages

BY Madeleine Seidel |

At ARoS Aarhus Art Museum, an exhibition dedicated to tapestries continues the artist's interest in the construction of persona through social media

BY Alice Godwin |

The artists present playfully experimental new work in the convivial outdoor environment of Hakuna Matata, Los Angeles

BY Gracie Hadland |

At Jeu de Paume, Paris, the artist’s career survey underscores his lifelong project to explore the gap between artificiality and reality

BY Zoe Cooper |

A three-part exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco, draws on the ensemble form and musical score to deliver a vision of cacophonous community

BY Tausif Noor |

At Greene Naftali, New York, the shape-shifting collective's new paintings and sculptures reveal the limits of a generational cynicism in 2023

BY Simon Wu |

At Modern Art, London, ‘The Moth and the Thunderclap’ contains works by over 40 artists channelling the energies of the natural world 

BY Aliya Say |

At Art Gallery of York University, Toronto, the multi-panel paintings and prints confront notions of subjecthood through theories of the subconscious

BY Xenia Benivolski |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

At Corbett vs. Dempsey, Chicago, the lauded musician shows artwork that reveals his decades-long experimentation in each discipline through the practice of the other

BY Dmitry Samarov |

At Kerlin Gallery, Dublin, the artist’s domestic objects are playfully at odds with a world dominated by rigid functions

BY Frank Wasser |