Publishing

Across spaces in London, authors, artists and collectives from southwest Asia, north Africa and the wider diaspora fuse storytelling and performance to preserve personal histories

Her lyrical, haunting novel Celestial Bodies exposes the global forces that preclude literary value from flowing in both directions

‘The salient factor wasn’t ever its printedness; Dot Dot Dot just took its own form seriously to think about things we see and how’

Publishing elegant, peculiar studies in fine attention and finer craft, how the small London press is producing some of the best writing around

A tribute to the iconic New York journal: a platform through which founder Andy Warhol operated as artist, hustler and public intellectual

‘Very often, the answer to why not would be: because you’re a girl’ – for this series, writer Fran Lebowitz speaks about her experience in the arts

An interview with Barry Miles, the co-founder of ’60s underground newspaper International Times

Skulptur Projekte Münster artist list announced; Andrea Rosen to close her New York gallery; increasing numbers call for the closure of LD50

A history of underground Black publishing, from W.E.B. Du Bois to #BlackLivesMatter

Tim Smith-Laing talks to Rasheed Araeen about six decades of art making, writing and publication

The books that have influenced the publishing collective ATLAS Projectos

Following the recent New York Art Book Fair at MoMA PS1, Dan Fox profiles three independent publishers

The multiple worlds of Hugh Frost and Leon Sadler’s experimental magazine-turned-exhibition, Mould Map

YJ Wang and Xiaopeng Yuan talk about their curatorial and publishing project, Same Paper, and their Shanghai-based studio and independent bookstore, Closing Ceremony

Why start a print magazine?

Gentrification and independent publishing in San Francisco

The radical journal and independent publisher has long been an open-ended enterprise, the product of innumerable people and their own tangled itineraries

The mutating activities of DIS

The fall and rise of independent bookshops and publishing

Paul Chan’s new publishing venture and the relationship between physical and virtual methods of book production