Contributing editor Jonathan Griffin on ageing and fallibility
The art world is not the world, but what the world needs, artists need, too
In our first issue of the new decade, we look back on some of the best (and worst) of the last ten years and find a few reasons to be excited for 2020
On the odd fraternity between investor Peter Thiel and literary theorist René Girard
Some thoughts on transience, in art and life
On the 50th anniversary of Stonewall, we should take up the call of the women who fought on the front lines of the LGBTQ rights revolution
To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them
frieze’s Editor-at-Large considers what it means to move on
In an era marked by dishonesty, what of the age-old assumption that the eyes cannot lie?
From Budapest to Liverpool, a resurgent far-right poses a great threat to cultural freedom
Even as right-wing politics increasingly tries to enforce them, remembering that nature and art know no borders
In this era of rapid change, an introduction to some of the artists responding to the here and now
New York in spring: Andrew Durbin turns to film as a way of diary-keeping
A brief look at arts funding, the future of museums, and the dangers of efficiency
Learning to appreciate the laws of perspective
On losing faith in generalism, learning to listen and embracing doubt
Our complex relationship to the world's oceans
On the benefits of not knowing
The importance of visiting galleries in the flesh
Losing your place in the world
