State of the Art

Showing results 81-92 of 92

Jan Verwoert writes about the 1990s, ‘New Innocence’, popular TV shows and the ethics of profanity

BY Jan Verwoert |

The many uses of the Zeitgeist

BY Dan Fox |

The changing role of cultural theory, and its enduring importance for contemporary art

BY Sam Thorne |

The myriad uses of art and artists

BY Dominic Eichler |

Wall texts in museums and galleries are meant to elucidate and educate, why are most badly written, full of jargon, and painfully reductive?

BY Tom Morton |

The world of difference between writing a blog and an article for print publication

BY Christy Lange |

How art can weave into life and vice versa

BY Carol Yinghua Lu |

How to stop worrying and love the ‘content crunch’

BY Dan Fox |

A celebration of the over-looked, the under-appreciated and the disappeared

Can a piece of writing ever precisely convey what the writer wants it to?

BY Jan Verwoert |

Do we visit museums to be taught, amused, challenged or affirmed? Should curators legislate how they want their exhibitions to be understood?

BY Emily King |

For the 100th issue of frieze the editors celebrate the pleasure and pain of criticism