Vienna

Showing results 21-40 of 55

At Sophie Tappeiner, Vienna, the artist highlights the ways in which Kurdish culture is expressed at the intersection of myth and reality

BY Tom Hastings |

An exhibition at Croy Nielsen, Vienna, explores the female gaze on a world which seems murkier than ever

BY Kimberly Bradley |

At Galerie Martin Janda, Vienna, the artist asks: what does communal political action look like today?

BY Max L. Feldman |

From imperial jewels to a miniature sarcophagus, this chamber of curiosities at the Kunsthistorisches Museum mixes fastidiousness with kitsch

BY Max L. Feldman |

The collection of ivory and lacquer Japanese miniatures, which survived Nazi looting, will be loaned to the Jewish Museum

In her first solo show at Croy Nielsen, Vienna, the artist’s suspended delicate metal formations create a tension that vibrates with possibility

BY Kimberly Bradley |

In her first Vienna solo, the artist blends understated textures, austere tones and bold gestures to a satisfying, yet elusive, effect

BY Max L. Feldman |

Katharina Cibulka has stitched ‘As long as the art market is a boys’ club, I will be a feminist,’ across her alma mater’s facade

Anderson and partner Juman Malouf are sorting through the treasures of the celebrated Kunsthistorisches Museum for their first show

Kimberly Bradley speaks to ‘the German’ curator on the reasons for his early exit from the Austrian institution

Two brilliant shows at mumok and Galerie Elisabeth & Klaus Thoman, Vienna, revive the late artist’s surreal visions

BY Jennifer Higgie |

In further news: Sonia Boyce explains removal of Manchester Art Gallery’s nude nymphs; Creative Scotland responds to Transmission Gallery backlash

While we might not see open censorship be prepared for the vilification of provocative aesthetics

BY Kimberly Bradley |

Secession, Vienna, Austria

BY Hans-Jürgen Hafner |

MAK, Vienna, Austria

BY Orit Gat |

With curated_by running till 14 October, a roundup of the best shows in the Austrian capital

BY Kimberly Bradley |

Does an automaton-filled future spell the end of work, of life? A report from the future-focused Vienna Biennale 2017

BY Pablo Larios |

Galerie Nathalie Halgand, Vienna, Austria

BY Margaret Carrigan |

Galerie Emanuel Layr, Vienna, Austria

BY Max Henry |