Film

Showing results 101-120 of 120

‘Militant Desire’, a new series of screenings at London’s Gasworks, revives consciousness-raising discussions

BY Sean Burns |

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

BY Lynne Tillman |

‘Some have mattered more to the living Jalal, others to the dead one indulging in jouissance

BY Jalal Toufic |

‘I would like to dedicate this tribute to all of Zidane’s fans (of whom I am one)’

BY Violaine Boutet de Monvel |

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts |

‘No other type of cinema in recent decades has worshipped reality in this intense manner’

 

BY Mark Cousins |

‘Metaphorically, wearing an eye mask bids farewell to this desire to know, instead, one must rely on something unknown’

‘It embodies the qualities of enthusiasm, enquiry and toe-curling earnestness that art can’t exist without’

BY Dan Fox |

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri |

‘The Western that heroized pioneers unsettling the West was moribund. Unforgiven, an anti-Western Western, buried it.’

BY Lynne Tillman |

‘Each hypnotic frame of No Home Movie lasts just long enough to allow our minds to wander, summoning recollections of domestic spaces’

BY Hedi El Kholti |

‘This is, perhaps, the best ending of any film, ever’

BY Erika Balsom |

‘I first saw it in a private screening room in my college library, deep in the suburbs of New England. It changed my life.’

BY Alvin Li |

‘By its closing scenes, I felt compelled to stand up and clap’

BY Yung Ma |

‘Maybe speaking about it will free me, and maybe this means I can get rid of it’

At the Courtisane Film Festival, Ghent, Mónica Savirón and María Palacios Cruz's programme of works by neglected women artists

BY Ela Bittencourt |

For Frieze Projects 2017, video artist Alex Bag’s playful provocation takes on consumer and pop culture

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice

BY Thomas Beard |