In her inaugural show at Massimo De Carlo London, the artist and recent recipient of the MacArthur ‘Genius’ Fellowship renders today’s world with thoughtful tranquillity
A tactile archive exhibition of the artist’s photography at Birmingham’s Grand Union evokes the joyful resilience of LGBTQ+ people in the face of adversity
In Sadie Coles’s sprawling Kingly Street gallery, Helen Marten lays out an exquisite corpse of ordinary affects. It’s impossible to see in totality so we rely on the clues
At Leeds Art Gallery, the artist's multimedia installation follows the shamanic goddess Princess Bari and a host of avatars on a hero’s journey through climate collapse and renewal
At Fruitmarket, Edinburgh, the artist’s retrospective approaches materials in a child-like manner with little regard for the objects’ origins or histories
Jamila Prowse speaks to the artists about their approach to new, aquatic temporalities, from ocean to darkroom, as they have separate shows at Birmingham’s Eastside Projects
Recently screening in galleries across southeast UK, videos by artists including Rosa Aiello, Prem Sahib and Metahaven shift our understanding of the domestic and what it means to live locally
Across spaces in London, authors, artists and collectives from southwest Asia, north Africa and the wider diaspora fuse storytelling and performance to preserve personal histories
Is contemporary art a reaction to social, political and local specificities or is it active in creating new utopic, progressive impulses? The BAS9 aspires to ask both
On the Isle of Bute, the artist uses objects to expose the geology of the 18th-century Mount Stuart House and engage with the Scottish mansion's material history
In Aindrea Emelife’s group show at The Perimeter, the work of seven Black artists explore experiences of recollection and nostalgia to examine the relationship between Blackness and history
At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations
At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms
The exhibition at Tate Liverpool takes women’s liberation as its basis, leaning on frustratingly narrow definitions to justify connections between Linder and Martine Syms
Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own
