Issue 216

Showing results 1-9 of 9

Art and the climate share a crucial trait – rapid change. Carson Chan explores how a theory of ‘liquid modernity’ has made new waves in art and asks: What if art institutions acted like water?

BY Carson Chan |

As the iconic reality series airs its 20th and final season, and amongst rumours of ‘Kimye’s’ divorce, Alissa Bennett explores how the Kardashians changed American culture – and themselves

BY Alissa Bennett |

In Bashinda (2020), Rahal constructs an imaginary world very much rooted in India’s current sociopolitcal landscape

BY Mahan Moalemi |

The need for a digitally touched-up ‘public face’ has become constant and commonplace

BY Priya Khanchandani |

From Stephanie Lepp to Francesca Panetta and Halsey Burgund, artists are using AI to reveal the fragility of our trust in basic information

BY Christy Lange |

The artist discusses her use of mirrors and their ‘destabilizing’ effects

BY Barbara Bloom AND Evan Moffitt |

The exhibition dedicated to contemporary Russian art looks at how the country’s past two decades under President Vladimir Putin informed art production

BY Valerie Mindlin |

A century ago, the novelists Hermann Hesse and Thomas Mann depicted a world recovering from war and pandemic. What can we learn from translating their works today?

BY Susan Bernofsky |

With a new show, ‘Paradise Edict’ at the Haus der Kunst, Munich, Jane Ure-Smith chats to the artist about his influences and the power parallels between modern politics and historic Christian art

BY Jane Ure-Smith AND Michael Armitage |