Issue 239

At P21, Seoul, a group show of intimate mixed media works draws on Byung-Chul Han’s revolutionary The Agony of Eros (2017)

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

At neugerriemschneider, Berlin, an exhibition dedicated to the late dance composer’s notation system reveal the complexities of her ideas

At The National Gallery of Denmark, the artist’s retrospective interrogates the space between coloniser and colonized

At MOCA GA, the artist's sculptures adapt Kente cloth as a framework for pan-Africanism

At White Cube Mason's Yard, the artist’s latest film is a Kafkaesque vision that may leave you pining for the exit

The artist's murals at Galerie Chantal Crousel, Paris, repurpose elements of cloud vistas and early Renaissance frescoes

At Night Gallery, Los Angeles, claustrophobic paintings of horse races meditate on risk, desire and control

From the peat of the Scottish hill-tops, the artist embraces a material language of ritualism and transformation

Inspired by Mesoamerican culture and Mexican modernism, the artist’s materially lush sculptures and drawings aspire to a time beyond geopolitical violence

At Sant’Andrea De Scaphis, Rome, the artist instils an apparently bucolic setting with a sinister undertone

At The Arts Center at Governors Island, New York, the artist presents installations that induce an embodied reflection on immigration and national identity

A group show at Pilar Corrias, London, unites work dealing with the natural world and humanity’s impact on it

At Muzeum Susch, ‘Art Is Not Rest’ celebrates a singular artist who refused to be categorized

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work

At Jack Shainman Gallery’s The School, New York, a pioneer of 1960s avant-garde film is remembered for his more contemporary works

At Helena Anrather, New York, the artist’s sculptures, photographs and video work document the surviving architecture of a less gentrified Lower Manhattan

At The Modern Institute, Glasgow, an exhibition filled with religious symbolism feels curiously shallow