Disco balls and the society of the spectacle
Might the art world’s discretion on economic matters amount to a denial?
We received the letter below in response to ‘Not so Black and White’, a column by Jennifer Allen published in issue 119 of frieze (Nov-Dec 2008)
The history of racial segregation in American art galleries and contemporary identity politics
Keeping fit, autonomy, disappointment and art criticism
Are reproductions of art works helpful, or do they confuse our experience of the real thing?
The strange and wonderful world of gallery assistants
In his sculptures, collages and films, Bojan Sarcevic explores the ‘ghost haunting modernity’: ornament and decoration
John Cage, Hans Ulrich Obrist and their relationship to time
The devotional aspects of looking at art
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