Krzysztof Kościuczuk

At Kunsthaus Zürich, the artist’s maximalist vision restages historical fragments into living, unruly theatre

From Becky Tucker’s uncanny ceramic figures to Meret Oppenheim’s surrealist works, here’s what not to miss during Art Basel and Zurich Art Weekend

At the Museum für Moderne Kunst, Frankfurt, the artist questions our unwavering faith in efficiency and development

In his new solo show at Jan Kaps, Cologne, the artist’s eerie portraits interrogate capitalist consumption in the digital age

At Bernheim, Zurich, the artist’s alter-ego, Fatebe, confidently splits herself between time zones, cities and hemispheres

On the occasion of her solo exhibition, ‘her0’, the artist speaks about the machine realm, Romani recycling traditions and embracing the role of contemporary alchemist

At the Museum of Applied Arts, Vienna, the artist’s recent works explore the politics of human production and consumption

From an exhibition dedicated to underground filmmaker Bruce Baillie to a group show addressing the absence of Roma visual culture in European art history

At Kunstmuseum Luzern, the Israeli artist draws on the Jewish tradition of storytelling to disconcerting effect

At Kunsthalle Münster, the artist canonizes contemporary history in his riotous first institutional solo exhibition outside of Poland

Laden with scenes of sex, the artist's new paintings at Croy Nielsen, Vienna, test the border of the disturbing

At Wschód, Warsaw, the artist uses digital tools to develop sculptures that confound scale, visual plane and function

At Galeria Arsenal, Bialystok, the artist deploys the strategies of reappropriation and upcycling to reflect on the history and present of the Roma community in Poland