During his first years as MACRO's artistic director, Lo Pinto has initiated a series of projects that break free from the limits of institutions
From Nathalie Du Pasquier in Rome to Susan Philipsz in Berlin, these are the best shows in the Schengen
From the premiere of Aby Warburg’s Mnemosyne Atlas in Berlin to Corita Kent’s political prints in Innsbruck
MACRO’s ‘Museum for Preventive Imagination: Editorial’ is an experiment with new exhibition formats
Cooperation and dissent in Koki Tanaka’s precarious tasks
