From Simone Fattal’s ceramics in response to the archaeological site of Pompeii to Elyse Pignolet’s critique of imperialist visual practices in Los Angeles, here are a selection of exhibitions everybody should be talking about
At Sprüth Magers in London, the artist’s robotic snake is a harbinger of destruction and regeneration
This year’s edition of the French biennale asks how biological and economic developments inform one another
This year’s biennial amplifies previously silenced voices, but the results are discordant
Museum of Modern Art, Warsaw, Poland
Water bottles, pills and emergency blankets
