Poetry

Showing results 21-40 of 90

‘I saw how the different pop artists were working, and how they allowed new ideas to arise. So, I said to myself: Why don’t poets do that?’

BY Frieze News Desk |

On the artist selected for the Deutsche Bank Wealth Management Lounges at Frieze London and Frieze Masters 2019

In Collaboration with Deutsche Bank

‘Surge’ finds uneasy resonances between the 1981 New Cross fire and more recent tragedies

BY Marek Sullivan |

‘I could sit among the velvet blackness forever’

BY Gabriella Pounds |

Remembering a poet who helped define a generation of American writers through his love of gossip, sex and art 

BY Andrew Durbin |

Steven Zultanski reviews five wide-ranging new collections that address immigration, love and the cruelties of the internet

BY Steven Zultanski |

‘History is full of people who just didn’t,’ reads the first line of her riveting opening essay, which also serves as a sort of statement of intent

BY Negar Azimi |

The poet’s new collection chronicles a father’s succumbing to dementia and a daughter’s attempt to endure

BY Harry Thorne |

‘Through the doors of underworld rose a mind structured by languages inherited from the dead’

BY Forrest Gander |

‘The poet moves their hips like someone on a tram about to vomit’

BY Rebecca Tamás |

‘I don’t know how a poet becomes a poet. And I don’t think anyone else does either’

BY Glen Baxter |

‘Through its transformations and multiple languages, the poem becomes a dark mirror that reflects the missing truth’

BY Cecilia Vicuña |

The way in which we talk about these accolades tends to hyperbole; artworks are not created in a financial vacuum

BY Helen Charman |

‘His complex works embody both figurative social realism and mystic spiritual abstraction’

BY Lisa Brice |

‘I spend my life as a writer trying (failing) to approximate Oswald’s verbal economy of means’

BY Amy Sherlock |

An event at Somerset House to launch Ignota Press’ first book, the anthology: Spells: 21st-Century Occult Poetry

BY Philomena Epps |

An exhibition at Essex Street, New York, shows how closely Hill’s literary and artistic work is linked to her critique of domesticity

BY Rainer Diana Hamilton |

Cruel Fiction expresses hope for concrete social movements that imagine a different world than our own

BY Steven Zultanski |

‘I spend more time being seduced by the void … as a way of energizing my language’: poet Wayne Koestenbaum speaks about his new book

BY Zachary Pace |