Fan Letter

Showing results 81-100 of 146

‘His work opened a pathway to design for me that no architectural school or practice could’

BY Mae-Ling Jovenes Lokko |

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri |

‘It’s all there: charm, humour, ethics, friendship’

BY Tom Jeffreys |

‘I found it at my local used bookstore more than a month before its release date, only days after 9/11’

BY Aaron Peck |

‘The show singlehandedly thrust Africa back into the culture of global contemporary art.’

BY Kobena Mercer |

‘I know no more perfect portrait of artist and muse’

BY Negar Azimi |

‘Her work challenges the way 20th-century history has been shaped in our cultural imaginaries’

BY Magalí Arriola |

‘No other installation has come close to the swooning sensation of seeing Bourgeois’s work for the first time’

BY Shahidha Bari |

‘Purifoy conjured life from practically nothing: ten pairs of used trousers, discarded trainers, a few spare planks’

BY Gilda Williams |

‘He wasn’t English, but he was playing an English game, the fag in the Establishment, a light entertainer, undisguised yet somehow unseen, an open secret’

BY Olivia Laing |

‘Gray’s presence is painted on the city; he’s a local, living myth’

BY Figgy Guyver |

We look back on 28 years of publishing by remembering what inspires us

BY Jennifer Higgie |

‘Do you remember what that was like seeing great art and knowing nothing about its maker or context?’

BY Mark Godfrey |

‘These works render the real, estranged personalities of our present perturbing, alluring; exquisite’

BY Gabriella Pounds |

‘The Western that heroized pioneers unsettling the West was moribund. Unforgiven, an anti-Western Western, buried it.’

BY Lynne Tillman |

‘I knew, while trying that chair, that I wanted whatever the future had to offer’

BY Cody Delistraty |

For all the camp and capering, Eddie and Patsy’s antics also have a plaintive, even existential tinge

BY Matthew McLean |

‘After Kurzweil’s book landed with a thud in the centre of our culture, it was impossible not to address its claims’

BY Chris Wiley |

Hall’s understanding of cultural identity allows us to deconstruct and reconstruct who we think we are

BY Osei Bonsu |