Issue 72
Jan - Feb 2003

Tom Morton explores the work of Jeremy Deller from Advance Warning Sign to Acid Brass, Secret Hand Signals for the Middle Classes, The Battle of Orgreave, and his latest project After the Gold Rush.

Plus Rebecca Warren, Eric Wesley, Daniel Roth, Walid Raad, Deimantas Narkevicius and Kerstin Kartscher, Daniel Birnbaum celebrates Michel Majerus and his recent Bradenburg Gate project, Michael Bracewell looks at artists’ ephemera, Dan Fox on Black Dice and Eve Meltzer visits Robert Smithson’s re-emerging Spiral Jetty.

From this issue

The fleeting enchantment of paper aeroplanes

Anna Schwartz Gallery, Melbourne, Australia

BY Daniel Palmer |

The Fabric Workshop and Museum, Philadelphia and 303 Gallery, New York, USA

BY Peter Eleey |

Mobile Home, London, UK

BY Michael Wilson |

Arnolfini, Bristol and Matt's Gallery, London, UK

BY Morgan Falconer |

Getty Research Institute, Los Angeles, USA

BY Jenni Sorkin |

One in the Other, London, UK

BY Holly Walsh |

The Modern Institute, Glasgow, Scotland

BY Sarah Lowndes |

Stedelijk Museum Bureau, Amsterdam, The Netherlands

BY Alex Mar |

Museum of Contemporary Art, Zagreb, Croatia

BY Maja and Reuben Fowkes |

The artist’s exhibition ‘Milton Keynes New City’ flirts with combinations of the familiar and uncanny

BY Dominic Eichler |

White Columns, New York, USA

BY Andrea K. Scott |

Produzentengalerie, Hamburg, Germany

BY Jan Verwoert |

Gagosian Gallery, London, UK

BY Karen Rosenberg |

Jeremy Deller

BY Tom Morton |

Eric Wesley

BY Julian Myers |

Deimantas Narkevicius

Kerstin Kartscher

BY Dominic Eichler |

Harry Smith's Paper Aeroplane Collection

BY George Pendle |

'Extra Art: a Survey of Artists' Ephemera 1960-1999'

BY Michael Bracewell |

Visiting Robert Smithson's re-emerging Spiral Jetty

BY Eve Meltzer |

M/M's refashioning of Paris Vogue

BY Emily King |

Black Dice and Musical Context

BY Dan Fox |

Visual Poetry

The side-effects of looking at too much art

BY Melinda Guy |

Krannert Art Museum, University of Illinois, Champaign, USA

BY Martin Patrick |

White Cube, London, UK

BY Martin Herbert |

UCLA Hammer Museum, Los Angeles, USA

BY Eve Meltzer |

Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, Germany