Chloe Stead

The artistic director introduces Onassis Ready, the foundation’s newest space and its first ‘factory of dreams’

The inaugural Bukhara Biennial pairs artists with artisans and embeds works throughout the city’s historic centre, creating charming moments of local engagement

From a debut novel by Stephanie Wambugu to Maggie Nelson’s analysis of Taylor Swift and Sylvia Plath, the frieze team recommend the new books they’re most excited about

‘The Oracle’ showcases non-human actors and explores art’s power to dream and demand freedom – but lacks clarity

The Kunstsammlung Nordrhein-Westfalen director on bringing the museum’s collection into the 21^st century

At Bozar, Brussels, the artist’s unsettling sculptures are replete with religious imagery

Four US curators on what these wide-ranging attacks mean for their institutions and communities

The artist’s latest film at Galerie Molitor, Berlin, captures a historic Spanish festival where villagers hurl vegetables at a devil

From novels to art books to poetry, the frieze team shares the new releases they’re most excited to read

Resident Rosanna Dean on why Hackney Council should do more to support the arts

Berlin-based curator Emma Enderby on her inaugural programme, budget cuts and tarot card readings

From a long overdue retrospective of Chantal Akerman to a group show celebrating the centenary of the Surrealist Manifesto

From dynamic performance and moving image to several major biennials, four frieze editors discuss the year in art

Other highlights include a dance piece based on a cannibalistic tribal community and a novel coming-of-age story

Members of the collective What, How and For Whom/WHW on public art, Kasper König’s legacy and the safeguarding of artistic freedoms

Major surveys at the Serpentine Galleries, London, and the LUMA Foundation, Arles, celebrate the artist's enduring dedication to feminist practice and social justice

Other highlights include an epistolary novel by Hannah Regel and the indie horror film 'I Saw the TV Glow'

The all-women programme ‘What if Women Ruled the World’ addresses gaps in the art historical canon

We revisit the artist’s ‘Great White Fear’ series, featuring phallic shark paintings, to evaluate its enduring message

Despite a vague curatorial approach, ‘After Rain’ offers visitors and locals alike a chance to reflect on the Kingdom’s big plans for the region