issue 232

Showing results 21-38 of 38

At Astrup Fearnley Museet, the American visual artist interrogates private and performative spaces of engagement

BY Alice Godwin | 03 NOV 22

At Thomas Dane, Naples, a group exhibition looks to the found object for inspiration

BY Allie Biswas | 02 NOV 22

A set of interrelated conceptual, text- and body-based sculptures and video works at Today Art Museum, Beijing, allows the artist to meditate on individual freedom and geopolitical tensions

BY Nooshfar Afnan | 01 NOV 22

At Monique Meloche, Chicago, the artist subverts the worst of American racial stereotyping in briskly emotive figurative paintings

BY Jackson Arn | 27 OCT 22

In two interrelated solo exhibitions at Silverlens, New York, Atienza refuses a touristic gaze of the Philippines’s landscape while Yee urges grassroots governance

 

BY Danielle Wu | 26 OCT 22

At Haus am Waldsee, Berlin, the artist's site-specific installation investigates the ‘incurable experience’ of being female

BY Isabel Parkes | 26 OCT 22

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

BY Tom Morton | 24 OCT 22

At Museu de Arte de São Paulo, the artist memorializes the Black leaders and notable individuals overlooked in the country’s visual past

BY Camila Belchior | 20 OCT 22

At Hepworth Wakefield, the artist’s light-sensitive paintings are an ongoing work in progress

BY Lauren Dei | 20 OCT 22

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

BY Camila McHugh | 19 OCT 22

An enthralling retrospective at the Royal Academy of Arts, London, gathers 40 years worth of works in a diverse range of mediums

BY Tim Smith-Laing | 19 OCT 22

Both regional and international artists probe the history and identity of the port city, offering a template for other biennials to stave away hyper-globalist perspectives

BY Park Jaeyong | 19 OCT 22

At Graves Gallery, Sheffield, the artist positions the home as a critical site of cultural preservation and exchange

BY Cathy Wade | 18 OCT 22

At Alma Sarif, Brussels, the artist quietly presents 56 litres of paint

BY Emile Rubino | 07 OCT 22

'52 Artists: A Feminist Milestone' at the Aldrich Contemporary Art Museum commemorates and expands upon Lucy Lippard's groundbreaking 1971 exhibition 'Twenty Six Contemporary Women Artists'

BY Erica N. Cardwell | 06 OCT 22

In her solo exhibition at MARCH, New York, the artist depicts communal life in scenes of both peace and violence as a site for political revolution

BY Madeleine Seidel | 27 SEP 22

At Maureen Paley, the artist uses the archive to reckon with women’s history in the UK

BY Hettie Judah | 26 SEP 22

At FRAC, Marseille, the artist probes the hidden colonial legacies of the Algerian War

BY Wilson Tarbox | 20 SEP 22