issue 232

At Astrup Fearnley Museet, the American visual artist interrogates private and performative spaces of engagement

At Thomas Dane, Naples, a group exhibition looks to the found object for inspiration

A set of interrelated conceptual, text- and body-based sculptures and video works at Today Art Museum, Beijing, allows the artist to meditate on individual freedom and geopolitical tensions

At Monique Meloche, Chicago, the artist subverts the worst of American racial stereotyping in briskly emotive figurative paintings

In two interrelated solo exhibitions at Silverlens, New York, Atienza refuses a touristic gaze of the Philippines’s landscape while Yee urges grassroots governance

At Haus am Waldsee, Berlin, the artist's site-specific installation investigates the ‘incurable experience’ of being female

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

At Museu de Arte de São Paulo, the artist memorializes the Black leaders and notable individuals overlooked in the country’s visual past

At Hepworth Wakefield, the artist’s light-sensitive paintings are an ongoing work in progress

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

An enthralling retrospective at the Royal Academy of Arts, London, gathers 40 years worth of works in a diverse range of mediums

Both regional and international artists probe the history and identity of the port city, offering a template for other biennials to stave away hyper-globalist perspectives

At Graves Gallery, Sheffield, the artist positions the home as a critical site of cultural preservation and exchange

At Alma Sarif, Brussels, the artist quietly presents 56 litres of paint

'52 Artists: A Feminist Milestone' at the Aldrich Contemporary Art Museum commemorates and expands upon Lucy Lippard's groundbreaking 1971 exhibition 'Twenty Six Contemporary Women Artists'

In her solo exhibition at MARCH, New York, the artist depicts communal life in scenes of both peace and violence as a site for political revolution

At Maureen Paley, the artist uses the archive to reckon with women’s history in the UK

At FRAC, Marseille, the artist probes the hidden colonial legacies of the Algerian War