Performance

From the concept of human nature to post-Brexit erotica: what to read this weekend

Does the newly completed Stavros Niarchos Foundation Cultural Center signal a new chapter for Greece?

A report from Marfa Sounding

Trajal Harrell talks ‘realness’, daydreaming, and his performance Twenty Looks or Paris is Burning at the Judson Church (S)

Enacting a group-designed digital identity

Alexandra Bachzetsis’s new performance, Private: Wear a mask when you talk to me

On the perplexing nature of Anne Imhof's new performance, Angst

A report from the festival on feminism and public space in Hamburg

Could this viscerality, this hysteria, be political?

A new video by the Chinese artist hosted exclusively on frieze.com

Anna Homler and Steven Warwick’s Breadwoman highlights the ever-iterative performance of the female voice

National College of Art and Design Gallery, Dublin

The provocative works of the Japanese collective Chim↑Pom

Rotlicht wird auf sich bewegende Haut geworfen. In Nahaufnahme, gestaucht oder gedehnt, sieht sie aus wie Ein- und Ausstülpungen innerer Organe. Die Härchen mancher Körperstellen flimmern dabei wie eine Invasion von Wimperntierchen. Dazu Schmatzen, Raunzen, Gurgeln, das enervierend unter die Haut geht. Es ist jedoch kein biologisches Mikroskoptheater, das die Kamera von Vong Phaophanit und der Sound von Cathy Lane der Choreografie von Rosemary Butchers Arbeit Scan hinzufügen, sondern ein werkreflexiver Epilog.

Cooperation and dissent in Koki Tanaka’s precarious tasks

Acting, therapy, song and humour

Sculpture, field recordings and the ghosts of dead rappers

Body and soul in the performances of Alexandra Bachzetsis

What are the challenges of producing a dance piece in the form of an exhibition?

David Roberts Art Foundation, London, UK