Sadie Coles HQ

Showing results 1-20 of 25

At Sadie Coles HQ’s new Savile Row gallery, the artist’s subjects gather in smoke-filled bars and boxing rings, their gazes unwavering, their power unmistakable

 

BY Emily Steer |

Read about what sold, who came and what the galleries said at this year’s London fairs

Make the most of West End Day on Saturday 18 October with these curated routes around the area’s many participating galleries

From Nat Faulkner’s investigations of invisible events to Dominique White’s haunting shipwrecks, here are the best shows to see this August 

BY frieze |

Talks, walks, live events and new shows across the city 31 May–2 June, in the annual celebration of creative community 

The painter speaks about her studio in the suburbs of Rio de Janeiro, Brazil, and how its shape informs the nature of her work

BY Lucia Laguna |

From a major Carrie Mae Weems survey in London to a city-wide Biennial in Liverpool 

BY frieze |

A grotesque new group show at Sadie Coles HQ, London, addresses sexual power dynamics but tends toward outdated provocation

 

BY Thomas McMullan |

Ahead of her first British solo show at London's Sadie Coles HQ, the artist discusses her idea of womanhood and how her creative career blossomed later in life

BY Ana Vukadin |

In Sadie Coles’s sprawling Kingly Street gallery, Helen Marten lays out an exquisite corpse of ordinary affects. It’s impossible to see in totality so we rely on the clues

BY Alice Bucknell |

Ahead of a three-month project in the Rockaways, the London-based artist is thinking about home, time and community

BY Andrew Durbin AND Alvaro Barrington |

Hilton Als, Sadie Coles, Pauline Daly, Emin, Lucas, Gregor Muir and Cerith Wyn Evans on the artists’ short-lived project space in Bethnal Green, London

For his first solo exhibition at Sadie Coles HQ, the artist riffs on the iconographies and hierarchies of a bygone era

BY Kevin Brazil |

The artist looks to the life of Marcus Garvey, founder of the Universal Negro Improvement Association, to foster a kind of kinship you can literally hold

BY Rianna Jade Parker |

An exhibition at Sadie Coles HQ, London, explores how the artist captured the piercing intimacies of life 

BY Harry Thorne |

The winner of the 2016 Turner Prize discusses skeuomorphism, skins and soup - from issue 155

BY Helen Marten |

Sadie Coles HQ, London, UK

BY Harry Thorne |

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at the Venice Biennale

Sadie Coles HQ, London, UK

BY Sara Knelman |

Moving between concealment and display, the artist treads a fine line between seduction and deception

BY Sam Thorne |