Tom Jeffreys

Tom Jeffreys interviews the exhibition’s co-curator, Ksenia Malykh, about the significance of staging an exhibition in wartime, and the message it sends to Ukrainians and the world

This year's edition, ‘Persons, Persone, Personen’, celebrates ecologically minded contemporary art that is joyful and sensual

As the COP26 conference approaches, how individual artists and artist institutions are responding to the demands of the climate crisis

At Fruitmarket, Edinburgh, the artist’s retrospective approaches materials in a child-like manner with little regard for the objects’ origins or histories

The artist’s new show at Dundee Contemporary Arts explores the intense physicality of collective sorrow through the body as landscape

In the time of COVID, what better setting for remarkable works by Phyllida Barlow, Anya Gallacio and Andy Goldsworthy than the outdoors?

From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’

Television has long celebrated the before-and-after reveal of a freshly cleaned masterpiece – now many museums are showcasing the hidden art too

The influence of Isaac Levitan’s 1897 painting Spring, High Water on 20th-century film

Considering our scripted future at Helsinki Contemporary 

‘It’s all there: charm, humour, ethics, friendship’

Why is the figure of the witch and magical practice making a 21st-century comeback in the arts?

For 112 days Sara Morawetz retraced the 2,000 kilometre journey of two 18th century astronomers, tasked with defining the length of a metre

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

Jostling with its loud festival neighbours, the UK’s best attended annual visual art festival conducts a polyphonic debate with art of the past

As the most expensive railway on earth is built, is art being used as a mouthpiece for power?

Four miles west of the city, Jupiter Artland marks its 10th anniversary with a new commission by Phyllida Barlow

At this year’s GI festival, directed by Richard Parry, a future-focused assemblage of what it means to be human

A new report suggests that women, people from working-class backgrounds and BAME workers all face significant exclusion

At once stagnant and dynamic, politically tense and blissfully buoyant, the French capital was a strange place to be living this year