Issue 3
Winter 2011

How do photographs circulate and what happens to them over time? The winter issue of frieze d/e looks at how artists use photographs both as isolated objects and as instant images.

Artist and writer Hito Steyerl looks at the story of the photojournalist agency Black Star, exploring what happens to the archives of photo-journalism after digitization.

Plus, writer and lawyer Daniel McClean discusses five ground-breaking cases of photography in litigation and Hans-Peter Feldmann contributes an exclusive artist project, accompanied by an overview of his 40-year career by Elodie Evers.

From this issue

Is there a difference between digital reproduction and manipulation?

BY Jennifer Allen | 12 NOV 11

Someone who cared

BY Jan Verwoert | 11 NOV 11

The end of film photography and the rise of digital photography have led to new genres, methods and histories.An overview of a dying and a thriving medium

BY Jennifer Allen | 11 NOV 11

Using both analogue and digital reproductions, Marieta Chirulescu explores abstract painting and physical space

BY Dominikus Müller | 11 NOV 11

What happens to old photojournalism archives? The case of the Black Star archive reveals surprising connections to Germany and histories which forsee the future

BY Hito Steyerl | 11 NOV 11

Haris Epaminonda began working with found photographs, films and objects – and ended up with a novel form of collage

BY Amanda Coulson | 11 NOV 11

For more than 40 years, Hans-Peter Feldmann has collected photographs to create his own personal archive

BY Elodie Evers | 11 NOV 11

Exhaustion, Textiles, Ceramics and Mnemonics

BY Barbara Casavecchia | 11 NOV 11

Subject, Object and Abject

BY Ana Teixeira Pinto | 11 NOV 11

Five groundbreaking cases of photography in litigation

11 NOV 11

Fotomuseum Winterthur

BY Barbara Preisig | 10 NOV 11

Esther Schipper, Berlin, Germany

BY Daniel Horn | 10 NOV 11

Kestnergesellschaft

BY Isabelle Moffat | 10 NOV 11

Galerie Eva Presenhuber

BY Quinn Latimer | 10 NOV 11

Spinnerei archiv massiv

BY Kito Nedo | 10 NOV 11

Galerie Karin Guenther

BY Wes Hill | 10 NOV 11

Kunstpavillon

BY Eva Maria Stadler | 10 NOV 11

Galeria Plan B

BY Judith Vrancken | 10 NOV 11

Württembergischer Kunstverein

BY Jörg Scheller | 10 NOV 11

Circuit

BY Matthias Sohr | 10 NOV 11

Clages

BY Noemi Smolik | 10 NOV 11

Aargauer Kunsthaus

BY Raphael Gygax | 10 NOV 11

Kunsthalle Düsseldorf

10 NOV 11

Chert

BY Melissa Canbaz | 10 NOV 11

Galerie Nicola von Senger

BY Burkhard Meltzer | 10 NOV 11

Meyer Riegger

BY Kerstin Stakemeier | 10 NOV 11

Bitforms Gallery

BY Geeta Dayal | 10 NOV 11

Kunsthaus Kaufbeuren

BY Dominikus Müller | 10 NOV 11

Choose a single object of special significance from your working or living environment

BY Dorothy Iannone | 10 NOV 11

A rediscovered film sheds new light on Rudolf Schwarzkogler and the Vienna Actionists

BY Theo Altenberg | 10 NOV 11

On postcards and an encounter with a Basel pioneer of Conceptual art

BY Barbara Preisig | 09 NOV 11

What’s a meme and what does it mean, if anything? Anatomy of an Internet phenomenon

BY Jörg Heiser | 08 NOV 11

What do pictures of a top al-Qaeda terrorist being arrested in Karachi on 11 September 2002 actually show?

BY Christina Zück | 07 NOV 11
Influences

In this series, frieze d/e asks artists, curators or writers to reflect upon one word and its impact

BY Wolfgang Tillmans | 06 NOV 11

The return of a pioneer of German pop, and electronic music in general: Holger Hiller spoke with Klaus Walter about Albert Oehlen, Scooter and himself

BY Klaus Walter | 05 NOV 11
Article

Exclusive Track

BY Holger Hiller & Albert Oehlen | 04 NOV 11