Issue 73
March 2003

In the latest issue of frieze Jennifer Higgie looks at the work of Swiss police photographer Arnold Odermatt and Kate Bush reflects on accidental art of Eugene Atget, E.J.Bellocq and Enrique Metinides.

Other features include Jorg Heiser’s exploration the paper world of Thomas Demand’s photographs and films, plus Brian Dillon on scientific photography, Kristin M.Jones on Jitka Hanzlova, Bert Rebhandl on Jun Yang and Alex Farquharson on the strange world of Morton Bartlett. 

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From this issue
Reviews
Reconstruction Isn't Easy

IBID Projects, London, UK

BY Jennifer Higgie | 03 MAR 03
Reviews
Erik Parker

Leo Koenig, New York, USA

BY Karen Rosenberg | 03 MAR 03
Reviews
Andres Serrano

Gimpel Fils, London, UK

BY Martin Herbert | 03 MAR 03
Reviews
Susan Norrie

Australian Centre for Contemporary Art, Melbourne, Australia

BY Jazmina Cininas | 03 MAR 03
Reviews
Reza Aramesh

Platform, London, UK

BY Holly Walsh | 03 MAR 03
Reviews
Drawing Now: Eight Propositions

MoMa Queens, New York, USA

BY James Trainor | 03 MAR 03
Reviews
Jeppe Hein

Johann Konig, Berlin, Germany

BY Dominic Eichler | 03 MAR 03
Reviews
John O'Reilly

Julie Saul Gallery, New York, USA

BY Christian Hawkey | 03 MAR 03
Reviews
(hi)story

Salzburg Kunstverein, Austria

BY Justin Hoffmann | 03 MAR 03
Reviews
Nick Ackerman

Nick Ackerman, Lizabeth Oliveria Gallery, San Francisco, USA

BY Julian Myers | 03 MAR 03
Reviews
Ryan Mendoza

Museo Castel Nuovo, Naples, Italy

BY Morgan Falconer | 03 MAR 03
Reviews
All You Need to Know

Laing Gallery, Newcastle upon Tyne, UK

BY Neil Mulholland | 03 MAR 03
Reviews
Carroll Dunham

New Museum of Contemporary Art, New York, USA

BY Kristin M. Jones | 03 MAR 03
Reviews
Noble & Silver

Beaconsfield, London, UK

BY Dan Fox | 03 MAR 03
Reviews
Stefan Kern

Spruth Magers Projekte, Munich, Germany

BY Holger Liebs | 03 MAR 03
Reviews
Chris Larson

Rare, New York, USA

BY Michael Wilson | 03 MAR 03
Reviews
Douglas Gordon’s Fractured Exercise in Autobiography

At Hayward Gallery, the artist explores authorship, satanism and the all-being ‘I’

BY Tom Morton | 03 MAR 03
Reviews
Dana Schutz

LFL Gallery, New York, USA

BY Peter Eleey | 03 MAR 03
Reviews
Blinky Palermo

Museu d'Art Contemporani de Barcelona, Spain

BY Jan Verwoert | 03 MAR 03
Reviews
Joel Sternfeld

The Photographer's Gallery, London, UK

BY Brian Dillon | 03 MAR 03
Frieze
Guys and Dolls

Morton Bartlett

BY Alex Farquharson | 03 MAR 03
Frieze
Candid Camera

'Unauthored' Photography

BY Kate Bush | 03 MAR 03
Frieze
Pulp Fiction

Thomas Demand

BY Jörg Heiser | 03 MAR 03
Features
Always Crashing in the Same Car

Arnold Odermatt

BY Jennifer Higgie | 03 MAR 03
Features
Perfect Symmetry

Aesthetics of Scientific Photography

BY Brian Dillon | 03 MAR 03
Features
Going Solo

Jitka Hanzlová

03 MAR 03
Profiles
Giovanni Intra

1968-2002

BY Will Bradley | 03 MAR 03
Opinion
Pier Pressure

An Endangered Masterpiece of Victorian Engineering

BY Jennifer Higgie | 03 MAR 03
Opinion
Philosophy

The Mythologizing of Roland Barthes

BY Tom Morton | 03 MAR 03
Frieze
Photography: Small Faces

Babbette Hine's Study of Photo Booth Images

BY Brian Dillon | 03 MAR 03
Frieze
Quick on the Draw

The Lost Art of 'Chalk Talks'

BY Dan Nadel | 03 MAR 03
Frieze
Dan Fox on Alan Clayson's biography of Edgard Varèse

Alan Clayson's biography of Edgard Varèse

BY Dan Fox | 03 MAR 03
Frieze
Palm Reading

Pocko Editions' Pocket-Sized Art Books

BY Emily King | 03 MAR 03
One Takes
Picture Piece: Sir John Soane's mausoleum

The final resting place of the British architect

01 MAR 03