UK Reviews

Showing results 61-80 of 201

From KJ Abudu’s reckoning with the ghosts of Africa’s past at Pace, London, to a harrowing Howardena Pindell survey at Kettle’s Yard, Cambridge

BY frieze |

A retrospective at Kettle’s Yard, Cambridge, highlights the artist's uses of collage and abstraction to circle blatant and coded atrocities

BY Lauren Dei |

At Sadie Coles HQ, London, the artist turns his pin-sharp brushwork to depth and volume, conjuring surfaces that seemingly scoop and protrude

BY Matthew McLean |

At Compton Verney, the artist’s first large-scale survey celebrates a career spent experimenting with colour

BY Cathy Wade |

The artist and poet invites us into her world of rage, vulnerability and humour at ICA, London

BY Ella Slater |

From Thomas J Price’s Windrush Commission in Hackney to Alex Margo Arden’s bizarre ‘not closing down sale’ in Clerkenwell

BY frieze |

A staged ‘not closing down sale’ at Ginny on Frederick, London, advertises a space in which nothing is quite as it seems

BY Donna Marcus Duke |

At Richard Saltoun Gallery, London, a trilogy of works delves into the domestic exploitation of Southern Italian women

BY Lauren Dei |

The seaside festival returns with 20 new commissions, addressing climate change, coastal erosion, folklore and displacement 

BY Chris Sharratt |

At Thomas Dane Gallery, London, the artist explores how class domination is maintained through the conservation of objects

BY John Menick |

From Rhea Dillon’s reverential found objects at Soft Opening, London, to Douglas Gordon’s rumination on ancestral trauma at Dundee Contemporary Arts

BY frieze |

At Dundee Contemporary Arts, the first UK institutional presentation of the film k.364 ruminates on ancestral trauma, travel and music

BY Helen Charman |

Two exhibitions at Modern Art Oxford and Camden Arts Centre, London, examine the impermanence of power

BY Iarlaith Ni Fheorais |

The artist’s first solo exhibition at David Zwirner, London, absorbs us into single, intimate moments

BY Tom Morton |

Salena Barry selects her top picks – from Nicola L.’s kinky, penetrable sculptures at Alison Jacques to Jeff Wall’s monumental photographs at White Cube

BY Salena Barry |

Sam Moore selects their top picks – from William Brickel’s contorted bodies at The Artist Room to Garrett Pruter’s reimagining of Alfred Hitchcock’s ‘The Birds’ at Trafalgar Avenue 

BY Sam Moore |

A group exhibition of works by Clémentine Bruno, Mara Fortunatović, Eva Gold and Bella Riza at London’s Nicoletti Contemporary wrestles with ideas of loss, absence and yearning

BY Anastasiia Fedorova |

The artist’s latest show, at Corvi-Mora, London, depicts men stripped of their social identities

BY Paul Clinton |

At Cristea Roberts Gallery, London, the artist confronts the representation of Black figures in Western art history, erasing the white nobility

BY Lauren Dei |

Jonathan Watkins’s triumphant swansong, after 23-years at the helm of Ikon Gallery, Birmingham, is the kind of historical show normally reserved for big public institutions

BY Tim Smith-Laing |