Issue 161
March 2014

Big Data: how do state surveillance and quantification culture affect our behaviour and artistic production? Co-editor Jörg Heiser leads a survey in which seven artists, writers and academics reflect on this question. With contributions from Mercedes Bunz, Jordan Ellenberg, Sarah Hromack, Trevor Paglen, Laura Poitras, Martha Rosler and Shoshana Zuboff.

Plus, Dan Fox looks at useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot; and Pablo Larios reflects on memes, copies and collective agency in the work of Austrian artist Oliver Laric, who created this issue’s specially commissioned cover.

From this issue

Walking with Teju Cole

BY Sean O'Toole | 12 MAR 14

The spiritual and the secular in art today

BY Kaelen Wilson-Goldie | 12 MAR 14

Man vs. machine

BY John Menick | 12 MAR 14

How social networks are changing the city

BY Robin van den Akker | 12 MAR 14

How budgets shape exhibitions

BY Eleanor Nairne | 12 MAR 14

Reading as information control: the poet Tan Lin talks to Sam Thorne

BY Sam Thorne | 12 MAR 14

Did Philip K. Dick predict the future of surveillance?

BY Andrew Hultkrans | 12 MAR 14

The art of tiny revelations

BY Jennifer Kabat | 12 MAR 14

With the sad news of the death of Stanley Brouwn, aged 81, revisiting this feature on the elusive artist, first published in issue 161, March 2014

BY Oscar van den Boogaard | 12 MAR 14

The art world’s ambivalent response to surveillance

BY Jörg Heiser | 12 MAR 14
Satire

The Age of Anxiety

BY Jennifer Higgie | 12 MAR 14

Soap-opera small talk and speech as a gesture

BY Amy Sherlock | 12 MAR 14

The politics of pants

BY Lynne Tillman | 12 MAR 14

Useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot

BY Dan Fox | 12 MAR 14

Human bodies versus computer-based interfaces

BY Karen Archey | 12 MAR 14

GIFS as readymades; finding inspiration in Hollywood film

BY Paul Teasdale | 12 MAR 14

Muriel Cooper: a graphic design pioneer who anticipated the digital revolution

BY Markus Weisbeck | 12 MAR 14

Salvador Allende's attempt to create a 'socialist internet, decades ahead of its time'

BY Mark Fisher | 12 MAR 14

Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his'

BY Pablo Larios | 12 MAR 14

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect.

BY Jörg Heiser | 12 MAR 14
BY John Motley | 05 MAR 14
BY Silas Martí | 05 MAR 14
BY Kit Wise | 05 MAR 14
BY Jenna Sutela | 05 MAR 14
BY David Reisman | 05 MAR 14

Q. What is art for? A. To keep our scepticism alive.

BY Mario Garcia Torres | 05 MAR 14
BY Agnieszka Gratza | 05 MAR 14
BY Laura McLean-Ferris | 05 MAR 14
BY Lisa Radon | 05 MAR 14
BY Robert Barry | 05 MAR 14
BY Mark Prince | 05 MAR 14
BY Timotheus Vermeulen | 05 MAR 14
BY Filipa Ramos | 05 MAR 14
BY Sean O’Toole | 05 MAR 14
BY Prajna Desai | 05 MAR 14
BY Sophie J. Williamson | 05 MAR 14
BY Colin Perry | 05 MAR 14
BY Morgan Quaintance | 05 MAR 14
BY Max Andrews | 05 MAR 14
BY Amy Sherlock | 05 MAR 14
BY Tom Morton | 05 MAR 14
BY Mark Prince | 04 MAR 14

What would the NSA’s massive repositories of data sound like if a composer of electronic and computer music had access to them?

BY Geeta Dayal | 12 FEB 14
BY Charles Reeve | 10 FEB 14
BY Negar Azimi | 05 FEB 14