Issue 55
Nov - Dec 2000

From this issue

The mysteries of buzzing boxes

Bojan Sarcevic

Edgar Allan Poe and malevolent interior decor

Getting down with the Melvins

BY Diedrich Diederichsen |

Carried away by airships

Melancholic ambiguity in the work of Eva Rothschild

BY Jennifer Higgie |

Dario Argento

Dazzled by Liberace

The ups and downs of rollercoasters

The Photographers Gallery, London, UK

BY Alex Farquharson |

World Fair Expo, Hanover, Germany

BY Jan Verwoert |

Magasin, Grenoble, France

BY Mai-Thu Perret |

Temporary Services, Chicago, USA

BY Carol Jackson |

Espai d'Art Contemporani de Castello, Spain

BY Juan Vincente Aliaga |

Hermetic Gallery, Milwaukee, USA

BY Michelle Grabner |

Printed Matters, New York, USA

BY Bennett Simpson |

Studio Guenzani, Milan, Italy

BY Caroline Corbetta |

Kolnischer Kunstverein, Cologne, Germany

BY Anja Dorn |

The New Art Gallery, Walsall, UK

BY Izi Glover |

Musee d'Art Moderne de la Ville de Paris, France

BY Sophie Berrebi |

Carl Hammer Gallery, Chicago, USA

BY Jenni Sorkin |

Centre George Pompidou, Paris, France

BY Laurie Attias |

UCLA Hammer Museum, Los Angeles, USA

BY Charles LaBelle |

Pirelli Gardens, Victoria and Albert Museum, Los Angeles, USA

BY Michael Bracewell |

AC Project Room, New York, USA

BY Frazer Ward |

Mellow Birds, London, UK

BY Neal Brown |

Robert Miller Gallery, New York, USA

BY David Hunt |

Centre for Visual Arts, Cardiff, Scotland

BY Jennifer Higgie |

ACME, Los Angeles, USA

BY Carmine Iannaconne |

Hayward Gallery, London, UK

BY Jonathan Jones |

Transmission Gallery, Glasgow, Scotland

BY Rob Tufnell |

The Approach, London, UK

BY Dan Fox |

Art Gallery of Ontario, Toronto, Canada

BY Ingrid Chu |

Ljubjana, Slovenia

BY Jan Verwoert |

The rebirth of a dying industry

No laughing matter

BY Dietmar Dath |