It’s tempting to read Haacke’s longstanding work of institutional critique as prescient. In fact, he’s been an astute observer for long enough to know that current scrutiny of museum ethics is well overdue
In Buffalo, the artist Marlene McCarty has planted a toxic garden that draws on the area’s intertwined histories of capitalism, expropriation and utopian dreaming
Artist Candice Lin connects the conditions of slave labour involved in building the drug trade’s infrastructure to the continued Orientalizing representations of the drugs themselves