Review

At the Westfälischer Kunstverein, Münster, the artist probes the ambiguity – and superstition – of everyday items

Combining archival material with contemporary art, an exhibition at Dresden’s Kunsthalle im Lipsiusbau highlights the activist’s connection with the GDR

At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’

The artist’s show at Progetto, Lecce, speaks to how communication is both verbal and physical

A group exhibition at Kulturstiftung Basel H. Geiger draws attention to the unique positionality of Caribbean artists

At Galeria Pedro Cera, Lisbon, the artist’s installations play with perspective and memory

At Galerie Max Mayer, a series of LED ‘paintings’ reflects on the value of performative practices

At Kraupa-Tuskany Zeidler, Berlin, the artist’s amorphous figures question traditional gender narratives

At MMK Frankfurt, a retrospective housed in a group exhibition mirrors the artist's rejection of conventional classifications

At Portikus, Frankfurt, the artist pays attention to quiet but powerful acts of resistance

At Essex Street, New York, the artist presents an array of prefabricated objects through the lens of disability and chronic illness

At the Fondazione Giuliani in Rome, the artist looks at the playful and political aspects of disguises

At CLEARING, Brussels, the artist duo’s new handcrafted pieces reveal the sensuous in the clunky

At Bonner Kunstverein, the artist investigates our relationship to everyday objects

The duo’s installations at Galerie Templon, Paris, couldn’t be timelier

At Petzel Gallery, New York, the artist presents a suite of paintings inspired by the life-simulation game

At Lenbachhaus, Munich, the artist’s installations show why matter matters

At Museum Frieder Bruda’s Salon Berlin, the artist reflects on book burning during the Nazi regime

MACRO’s ‘Museum for Preventive Imagination: Editorial’ is an experiment with new exhibition formats

At PDX Contemporary Art, Portland, the artist presents contrasting works on paper that recall Sergei Eisenstein’s theory of montage