Issue 60
Jun - Aug 2001

From this issue

The amateur photographs of Takeshi Shimajiri

BY Kyoichi Tsuzuki |

Transmission, Glasgow, UK

BY Neil Mulholland |

Serpentine Gallery & Victoria and Albert Museum, London, UK

BY Alex Farquharson |

Museum of Contemporary Art, Los Angeles, USA

BY Carmine Iannaccone |

Neue Nationalgalerie, Berlin, Germany

BY Dominic Eichler |

Tate Modern, London, UK

BY Chris Turner |

Gavin Brown's Enterprise, New York, USA

BY Michelle Grabner |

Museum Villa Stück, Munich, Germany

303 Gallery, New York, USA

BY Jenni Sorkin |

Donald Young Gallery, Chicago, USA

BY Carol Jackson |

BQ, Cologne, Germany

BY Holger Liebs |

Dundee Contemporary Arts, Dundee, UK

BY Izi Glover |

Santa Monica Museum of Art, California, USA

BY Charles LaBelle |

Art Gallery of Western Australia, Perth, Australia

BY Chris Chapman |

Potins Holiday Centre, East Sussex, UK

BY Dan Fox |

Delfina Project Space, London, UK

BY Polly Staple |

Visiting I salon del Mobile in Milan

BY Matthew Slotover |

Pondering the significance of a screenwriters strike

BY Garland Hunter |

Bemoaning the caricaturing of artists on TV

BY Dennis Abbott |

Tuning into revolutionary radio

BY Christian Ward |

Online consumer reviews

Unwrapping the Lego fimmaking kit for kids

BY Joe Laniado |

Ina Celaya's new collection

Jessica Craig-Martin

Cappellini's experimental approach to design

BY Lorna Lee Leslie |

J. G. Ballard, Buffy the Vampire Slayer, Brooke Shields and The Dukes of Hazzard - Bruce Hainley on misinformation and fakery in the signatures of Richard Prince

Looking forward to the Future Systems shopping mall

Softcore, a narrative of terminal Romanticism, created a mythology of elegiac romance 

Advances in music marketing

BY Klaus Walter |

David Hamilton

Erlend Loe's new novel

BY James Eve |

Revelling in the romance of romanticism: the photography of Torbjørn Rødland

BY Dan Fox |