Film

Steven Zultanski on the Chicago-based cult video artist

The artist’s exhibition at Centre d’art contemporain Passerelle, Brest, blends gender, race and class politics with science fiction

The Comedy Central series injects a dose of mania and sloth into the ‘multicultural sitcom’

The most urgent works at this year’s 70th Berlinale Film Festival are about coming to terms with culture’s inherited mythologies

Figures from art and film came together for the first Deutsche Bank Frieze Los Angeles Film Award

In the beloved Japanese anime films, childhood is a fantastic place of nightmare and wonder

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

Meet the ten emerging filmmakers shortlisted for the first Deutsche Bank Frieze Los Angeles Film Award

‘A living, breathing work of art’: Prospect Cottage in Dungeness is as much a part of Jarman’s legacy as his films, writing and paintings

A crop of Hollywood ‘grifter’ films reflect growing pessimism about the state of capitalism 

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

In the 2010s, cinema grappled with the most tangible effects of the climate crisis 

From The Walking Dead to Stranger Things, frightening revivals ‘captured a bit of lost magic in a disenchanted world’ 

In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation

From Gen-Z Yellow to Neomint, the confluence of money and the attention economy filled the 2010s with clashes of unexpected hues

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

Matt Wolf’s new film, ‘Recorder: The Marion Stokes Project’, is an astonishing portrait of an almost incomprehensible endeavour

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda

Marwa Arsanios’s latest documentary offers a powerful glimpse at the autonomous movement now being torn apart