The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
The Brazilian-born, London-based artist explores his interest in the stereotypes propagated under the guise of national identity for his solo show at Vilma Gold, London
From frontier town to multicultural metropolis, the second-largest Australian city embraces a grass-roots approach to culture that weaves the experience of contemporary art into everyday life