Issue 79
Nov - Dec 2003

‘Corporations want two-way mirror glass because it’s reflective on the outside – which means the corporation looks like the sky – and transparent inside, so people can see out without being seen – it’s a kind of surveillance.’ Chrissie Iles talks to Dan Graham about his new project, Waterloo Sunset, at the Hayward Gallery London, transparency, Cederic Price and the baroque. ‘Kunath’s images ache with the sweet pain of melancholy. Lines about longing and failed relationships are flung out in a barrage of heart-breaking pathos.’ And Dan Fox tunes into the world of Frederic Kunath.

Also featured: Tom Morton on Claire Barclay, Michael Wilson on Chris Johanson, Jennifer Higgie on Silke Otto-Knapp, Dominic Eichler on Monika Baer, Andrew Sholl on Dali and Disney’s collaboration and Michael Bracewell visits ‘Introspective’, Richard Hamilton’s extensive retrospective.

From this issue

Monika Baer

BY Dominic Eichler | 12 NOV 03

Silke Otto-Knapp

BY Jennifer Higgie | 12 NOV 03

Claire Barclay

BY Tom Morton | 12 NOV 03

'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.'

12 NOV 03

An interview with Dan Graham

BY Chrissie Iles | 12 NOV 03

How Friedrich Kunath enforces ‘togetherness’ through our shared pop culture vernacular

BY Dan Fox | 11 NOV 03

Theodor Adorno's centenary

BY Jan Verwoert | 11 NOV 03

Los Angeles' new Gold Line

BY George Pendle | 11 NOV 03

An interview with Lavinia Greenlaw

BY Craig Burnett | 11 NOV 03

The cultural history of zoos

BY Brian Dillon | 11 NOV 03

Musée Cantonal des Beaux-Arts, Lausanne/Kunstmuseum, St Gallen, Switzerland

BY Fabrice Stroun | 11 NOV 03

Anton Kern Gallery, New York, USA

BY Adam Mendelsohn | 11 NOV 03

Emily Tsingou Gallery, London, UK

BY Olivia Plender | 11 NOV 03

Santa Monica Museum of Art, USA

BY Jenni Sorkin | 11 NOV 03

Victoria Miro Gallery, London, UK

BY Morgan Falconer | 11 NOV 03

MW projects, London, UK

BY Sally O'Reilly | 11 NOV 03

Tablet, London, UK

BY Andrew Hunt | 11 NOV 03

Italian Cultural Institute, London, UK

BY Craig Burnett | 11 NOV 03

Emmapassage, Tilburg, The Netherlands

BY Douglas Heingartner | 11 NOV 03

Adobe Bookstore, San Francisco, USA

BY Julian Myers | 11 NOV 03

Various Venues

BY Neil Mulholland | 11 NOV 03

David Zwirner, New York, USA

BY Michael Wilson | 11 NOV 03

Kölnischer Kunstverein, Cologne, Germany

BY Jan Verwoert | 11 NOV 03

Modern Art, London, UK

BY Morgan Falconer | 11 NOV 03

B + B at the Austrian Cultural Institute, London, UK

BY Holly Walsh | 11 NOV 03

Leo Koenig, New York, USA

BY Lisi Raskin | 11 NOV 03

Nationalgalerie, Berlin, Germany

BY Ronald Jones | 11 NOV 03

Luhring Augustine Gallery, New York, USA

BY Peter Eleey | 11 NOV 03

Théâtre du Ranelagh, Paris, France

BY Michael Bracewell | 11 NOV 03

Various Venues

BY Tom Morton | 11 NOV 03

Over half a century in the making, Dalí's Disney collaboration arrives on the big screen

BY Andrew Sholl | 01 NOV 03