Gareth Jones
De la Warr Pavilion, Bexhill-on-Sea, UK
Kunstverein, Frankfurt am Main, Germany
Galerie Chez Valentin, Paris, France
Blum & Poe, Los Angeles, USA
Jonathan Smart Gallery
Pierogi, New York, USA
New Museum of Contemporary Art, New York, USA
Palais de Tokyo, Paris, France
Schirn Kunsthalle, Frankfurt, Germany
Contemporary Fine Arts, Berlin, Germany
The Project, New York, USA
China Art Objects, Los Angeles, USA
Arnolfini, Bristol, UK
At Kunsthalle Bern, Switzerland, the artist’s work was conceptual in the best sense of the word
Whitechapel Art Gallery, London, UK
D'Amelio Terras, New York, USA
Pearl, London, UK
Galerie Christian Nagel, Berlin, Germany
First published in May 2002, in issue 67 of frieze: Neville Wakefield on the work of Matthew Barney. A survey of 'Drawing Restraint', curated by Wakefield, is showing at Schaulager, Basel, until 3 October 2010.
Melancholy in British sitcoms
Gary Webb
George Shaw
The video work of Anri Sala
Decoding the first biography of Anthony Blunt
The current vogue for popular philosophy
Ted Noten
Eric Rohmer's latest film
The Ballad of Halo Jones
Fired up by Promethea
The sound of the suburbs
Georg Baldele
The changing fortunes of film festivals
Cosmic latte?
