Issue 67
May 2002

From this issue

Gareth Jones

De la Warr Pavilion, Bexhill-on-Sea, UK

BY Dale McFarland |

Kunstverein, Frankfurt am Main, Germany

BY Verena Kuni |

Galerie Chez Valentin, Paris, France

BY Sophie Berrebi |

Blum & Poe, Los Angeles, USA

BY Zoey Mondt |

Jonathan Smart Gallery

BY Justin Paton |

Pierogi, New York, USA

BY Jenni Sorkin |

New Museum of Contemporary Art, New York, USA

BY Saul Anton |

Palais de Tokyo, Paris, France

BY Jemima Montagu |

Schirn Kunsthalle, Frankfurt, Germany

BY Jörg Heiser |

Contemporary Fine Arts, Berlin, Germany

BY Kirsty Bell |

The Project, New York, USA

BY James Trainor |

China Art Objects, Los Angeles, USA

BY Siobhan McDevitt |

Arnolfini, Bristol, UK

BY Izi Glover |

At Kunsthalle Bern, Switzerland, the artist’s work was conceptual in the best sense of the word

BY Mai-Thu Perret |

Whitechapel Art Gallery, London, UK

BY Alex Farquharson |

D'Amelio Terras, New York, USA

BY Michael Wilson |

Pearl, London, UK

BY Jennifer Higgie |

Galerie Christian Nagel, Berlin, Germany

BY Dominic Eichler |

First published in May 2002, in issue 67 of frieze: Neville Wakefield on the work of Matthew Barney. A survey of 'Drawing Restraint', curated by Wakefield, is showing at Schaulager, Basel, until 3 October 2010.

BY Neville Wakefield |

Melancholy in British sitcoms

BY Michael Bracewell |

George Shaw

BY Tom Morton |

The video work of Anri Sala

BY Jan Verwoert |

Decoding the first biography of Anthony Blunt

BY George Pendle |

The current vogue for popular philosophy

BY Richard O'Brien |

Eric Rohmer's latest film

BY Manfred Hermes |

The Ballad of Halo Jones

BY Tom Morton |

Fired up by Promethea

BY Gabriel Coxhead |

The sound of the suburbs

BY Klaus Walter |

Georg Baldele

BY Emily King |

The changing fortunes of film festivals

BY Gavin Smith |