In the March issue of frieze Jennifer Higgie explores the grim humour and surreal clarity of Michaël Borremans’ paintings and drawings.
Michael Bracewell talks to John Stezaker about fascination, education, politics and dreams of bridges.
Tom Morton looks at the ways in which Carol Bove mines the recent past: the sexual revolution, key books and the most immediate of historical deposits – style.
Jorg Heiser discusses Thomas Schutte’s almost 30-year concern with puncturing manifestations of power and subjection.
Jan Verwoert visits Paulina Olowska’s alternative history of the avant-garde and finds it populated by both real and fictional heroines.
“What do you like the look of? Peonies…” Christian Marclay responds to the frieze back page Questionnaire.
Also featured: Paul Chan by Peter Eleey; Simon Dybbroe Moller by Dominic Eichler; Bernadette Corporation by Emily Pethick and Michael Stevenson by Brian Dillon.